Marlon Brando — "I just wanted to get out of Nebraska."
I just wanted to get out of Nebraska.
I just wanted to get out of Nebraska.
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"My father was a very, very funny man. He was also a very cruel man."
"The more sensitive you are, the more certain you are to be brutalized, develop scabs, never evolve. Never allow yourself to feel anything, because you always feel too much."
"I don't believe in the star system. I believe in ensembles."
"I'm not a very social person. I'm a very private person."
"I couldn't care less about the Oscar. It's a piece of junk."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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