Marlon Brando — "I don't think I'm a sex symbol. I think I'm a human being."
I don't think I'm a sex symbol. I think I'm a human being.
I don't think I'm a sex symbol. I think I'm a human being.
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"I don't like to be categorized. I think it's limiting."
"I don't think I'm a great actor. I think I'm a competent actor."
"I'm just a guy who likes to eat. And I like to eat a lot."
"I don't think anyone should be forced to do anything against their will."
"We are not actors, we are just people who are paid to be actors."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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