Stanley Kubrick — "I don't think there's any such thing as a truly objective film. Every film is a …"
I don't think there's any such thing as a truly objective film. Every film is a subjective interpretation of reality.
I don't think there's any such thing as a truly objective film. Every film is a subjective interpretation of reality.
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"I think that the most important thing for a filmmaker is to have a strong vision and to stick to it, no matter what."
"You can't make a film without being a bit of a dictator. You have to be able to say, 'This is what I want,' and everyone else has to follow."
"I think that the big problem with people is that they don't know how to live."
"There's something in the human personality which resents things that are clear, and conversely, something which is attracted to things that are vague, mysterious, or even a little opaque."
"The greatest truth is that there is no truth."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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