There's something in the human personality which resents things that are clear, and conversely, something which is attracted to things that are vague, mysterious, or even a little opaque.
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"The human mind is a wonderful thing. It starts working the moment you are born and never stops until you stand up to speak in public."
"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"I don't think there's any such thing as a truly objective film. Every film is a subjective interpretation of reality."
"The only way to deal with the insane is to become insane yourself."
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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