Marlon Brando — "I have to be careful about what I say, because I don't want to offend anybody. B…"
I have to be careful about what I say, because I don't want to offend anybody. But I do.
I have to be careful about what I say, because I don't want to offend anybody. But I do.
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"I can still taste that first beer I bought with my own paycheck."
"Most of the successful people in Hollywood are failures as human beings."
"I'm a fairly solitary person. I like to be alone a lot."
"I think that I'm a good actor, but I'm not a great actor."
"If I'm not a god, I'm a goddamn good actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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