Edvard Munch — "I hear the scream of nature."
I hear the scream of nature.
I hear the scream of nature.
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"I paint not what I see, but what I feel."
"Nature is not only all that is visible to the eye… it also includes the inner pictures of the soul."
"The camera cannot compete with the brush and palette, it is far too clumsy."
"It is not the eye that sees, but the soul."
"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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