Edvard Munch — "The angels of fear, sorrow, and death stood by my side since the day I was born."
The angels of fear, sorrow, and death stood by my side since the day I was born.
The angels of fear, sorrow, and death stood by my side since the day I was born.
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"It is not the subject that is important, but the feeling it evokes."
"I believe in the art that heals."
"I painted the picture, and in the colors the rhythm of the music quivers."
"The colours scream. They are the scream itself."
"I find it difficult to imagine an afterlife, such as Christians, or at any rate many religious people, conceive it, believing that the conversations with relatives and friends interrupted here on eart…"
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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