Jeff Koons — "I think that art can be a very spiritual experience."
I think that art can be a very spiritual experience.
I think that art can be a very spiritual experience.
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"I'm very interested in the idea of the readymade, and how it can be transformed."
"I want the viewer to feel good, to feel empowered, to feel self-accepted."
"I'm interested in the idea of the commodity. I think that art can be a commodity."
"I'm interested in the idea of the popular. I think that art can be popular."
"I believe in art that is accessible to everyone."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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