Jeff Koons — "I'm interested in the idea of the commodity. I think that art can be a commodity…"
I'm interested in the idea of the commodity. I think that art can be a commodity.
I'm interested in the idea of the commodity. I think that art can be a commodity.
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"I want my work to foster a sense of community and connection."
"Banality is my subject."
"I'm interested in the idea of the universal, and how art can speak to everyone."
"I believe that art is a way to connect with the divine."
"I think that art can be a form of escapism, but also a way to engage with reality."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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