Quentin Tarantino — "I'm not a big fan of political correctness. I think it's a disease."
I'm not a big fan of political correctness. I think it's a disease.
I'm not a big fan of political correctness. I think it's a disease.
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"If you're gonna make a movie, you gotta have a car chase."
"I'm not trying to make a statement with my films. I'm just trying to entertain people."
"I'm a filmmaker. I don't care about the real world."
"If you've made money being a critic in black culture in the last 20 years you have to deal with me. You must have an opinion of me. You must deal with what I'm saying and deal with the consequences."
"I like to torture my characters. I like to put them in impossible situations and see how they react."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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