Marlon Brando — "I'm not a hero. I'm a human being."
I'm not a hero. I'm a human being.
I'm not a hero. I'm a human being.
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"The most repulsive thing you could ever imagine is the inside of a camel's mouth. That and watching a girl eat octopus or squid."
"Acting is an empty and useless profession."
"If you're going to be a star, you should have a star's salary. I'm not going to work for nothing."
"I'm not a very good person. I'm not a very nice person. I'm not a very happy person. I'm not a very good actor. I'm not a very good human being."
"I don't trust anybody. Not even myself."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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