Marlon Brando — "I'm not a rebel. I'm just me."
I'm not a rebel. I'm just me.
I'm not a rebel. I'm just me.
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"I couldn't care less about the Oscar. It's a piece of junk."
"I'm not a very social person. I'm a very private person."
"Acting is an illusion, a beautiful lie."
"I never wanted to be a movie star. I wanted to be a good actor."
"Privacy is not something that I'm willing to give up for the sake of celebrity."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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