Claude Monet — "I'm working like a madman, but I'm not making progress."
I'm working like a madman, but I'm not making progress.
I'm working like a madman, but I'm not making progress.
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"I want the inexpressible. I want to paint the air in which the bridge, the house, the boat are situated, the beauty of the air in which they are."
"I want the unobtainable. Other artists paint a bridge, a house, a boat… I want to paint the air that surrounds the bridge, the house, the boat – the beauty of the air in which these objects are locate…"
"The fog is so thick that you can't see the end of your nose. It's really too much! I'm completely disheartened."
"I am following Nature without being able to grasp her... I perhaps owe having become a painter to flowers."
"I'm absolutely disgusted with everything. I hate the world."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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