Marlon Brando — "I've always been drawn to the underdog."
I've always been drawn to the underdog.
I've always been drawn to the underdog.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I'm not a star. I'm an actor."
"I don't mind being an icon, but I'd rather be a person."
"I’m not an actor—I’m a guy who gets paid for acting."
"Privacy is not something that I'm willing to give up for the sake of celebrity."
"An actor is at most a poet and at least a traffic cop."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty