Quentin Tarantino — "My movies are very personal. I'm working in a genre, no doubt about it... but to…"
My movies are very personal. I'm working in a genre, no doubt about it... but to me all the movies are very personal.
My movies are very personal. I'm working in a genre, no doubt about it... but to me all the movies are very personal.
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"I don't like to be safe. I like to take risks."
"Once the movie gets going, once the lights go down, you become a collective. There's you by yourself, but then there's all of you together. And then you start appreciating the movie in that way."
"I make violent movies. I like violent movies. I'm on record about how I feel there is no correlation between art and life in that way."
"Most of it should be subconscious, if the work is coming from a special place. If I'm thinking and maneuvering that pen around, then that's me doing it. I really should let the characters take it. But…"
"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Charlie Rose interview, discussing his approach to genre filmmaking.
Date: 1994
PhilosophicalFound in 1 providers: gemini
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