Quentin Tarantino — "The minute you put handcuffs on artists because of stuff like that, it's not an …"
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore.
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"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
"A writer, a writer- you know, you should have this little voice inside of you saying, 'Tell the truth.'"
"I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself."
"I don't believe in political correctness. I believe in freedom of speech."
"I'm a big fan of dialogue. I think it's important."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Interview with Variety's Todd McCarthy, discussing violence in film.
Date: 1992
PhilosophicalFound in 1 providers: gemini
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