Quentin Tarantino — "A writer, a writer- you know, you should have this little voice inside of you sa…"
A writer, a writer- you know, you should have this little voice inside of you saying, 'Tell the truth.'
A writer, a writer- you know, you should have this little voice inside of you saying, 'Tell the truth.'
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"Insects too. Unless I'm paying to see some bizarro documentary, I'm not paying to see real death. Part of the way that this all works is that it's all just make believe. That's why I can stand the vio…"
"If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he'…"
"I'm a big fan of pop culture. I think it's the language of our time."
"Once the movie gets going, once the lights go down, you become a collective. There's you by yourself, but then there's all of you together. And then you start appreciating the movie in that way."
"I was kind of excited to go to jail for the first time and I learnt some great dialogue."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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