Marlon Brando — "The more sensitive you are, the more you are subject to suffering."
The more sensitive you are, the more you are subject to suffering.
The more sensitive you are, the more you are subject to suffering.
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"I don't trust anybody. Not even myself."
"I don't think I'm a saint. I think I'm a sinner."
"The greatest enemy of art is the absence of criticism."
"Most of the people in Hollywood are insane."
"Acting is a bum's life. You're always waiting, waiting, waiting."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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