Marlon Brando — "Acting is a bum's life. You're always waiting, waiting, waiting."
Acting is a bum's life. You're always waiting, waiting, waiting.
Acting is a bum's life. You're always waiting, waiting, waiting.
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"I don't like to be controlled. I think it's demeaning."
"I don't believe in the star system. I believe in ensembles."
"I always felt that the only way to make a movie truly great was to make it a little bit strange."
"Acting is an empty and useless profession."
"I think that the only way to grow is to challenge yourself."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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