Marlon Brando — "The more you know, the more you realize you know nothing."
The more you know, the more you realize you know nothing.
The more you know, the more you realize you know nothing.
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"I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving."
"I don't think there's any such thing as a normal person."
"The only thing an actor owes his public is not to bore them."
"I don't like to be controlled. I think it's demeaning."
"I think that the only way to be happy is to be yourself."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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