Edvard Munch — "The most beautiful things are often the most fragile."
The most beautiful things are often the most fragile.
The most beautiful things are often the most fragile.
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"The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing a…"
"The human heart is a dark and mysterious place."
"The greatest enemy of art is the good."
"The entire world is a picture of the mind."
"The lines and colors of a picture are like words in a poem."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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