Edvard Munch — "The greatest enemy of art is the good."
The greatest enemy of art is the good.
The greatest enemy of art is the good.
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"I paint not what I see, but what I feel."
"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts."
"I believe that art can heal."
"When the sun goes down, it is as if the whole world is a giant mouth screaming."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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