Marlon Brando — "The only reason I'm in Hollywood is that I don't have the moral courage to refus…"
The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money.
The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money.
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"I'm not interested in being a star. I'm interested in being an actor."
"I have no idea what I'm doing. I just try to make it interesting."
"Never confuse the size of your paycheck with the size of your talent."
"If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."
"The only thing I ever learned from acting was that I could make a lot of money."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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