Leonardo da Vinci — "Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!"
Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!
Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!
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"The true artist is a man who believes in himself and is not afraid to stand alone."
"The act of procreation and anything that has any relation to it is so disgusting that human beings would soon die out if it were not a traditional custom and if there were no pretty faces and sensuous…"
"The greatest pleasure and the greatest knowledge is to understand how we are born."
"Where the spirit does not work with the hand, there is no art."
"Oh, how many times have I been deceived by my own opinions!"
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Ignorance is not passive — it actively steers people toward wrong beliefs and bad decisions. Da Vinci is urging us to stop accepting inherited assumptions without question and to use direct observation and critical thinking instead. He expresses genuine frustration that people let unexamined ideas govern their lives when the truth is plainly visible to anyone willing to look carefully and think for themselves.
Da Vinci built his entire intellectual life on firsthand observation — dissecting corpses to understand anatomy, filling roughly 7,000 notebook pages studying water, flight, and mechanics. Born illegitimate and excluded from formal Latin scholarship, he distrusted received authority and coined 'saper vedere' (knowing how to see) as his core philosophy. He viewed willful blindness as humanity's central failure, making this quote a direct statement of his lifelong intellectual creed.
During da Vinci's lifetime (1452–1519), Scholasticism demanded deference to Aristotle and Church doctrine over direct inquiry. The printing press was just beginning to circulate competing ideas, Columbus had rewritten geography, and humanists were chipping at medieval orthodoxy — yet most people still accepted religious and classical authority unquestioningly. The tension between faith-based received wisdom and empirical observation defined the Renaissance, and da Vinci stood precisely at that fault line.
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