Marlon Brando — "Acting is just a way of making a living. The actor's a fool if he believes he's …"
Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore.
Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore.
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"I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
"I'm just a guy who likes to eat. And I like to eat a lot."
"Acting is a bum's life. You're always waiting, waiting, waiting."
"I don't like to be bothered. I like to be left alone."
"The only reason I'm in Hollywood is that I don't have the moral courage to refuse the money."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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