Marlon Brando — "I'm not a very social person. I don't like crowds."
I'm not a very social person. I don't like crowds.
I'm not a very social person. I don't like crowds.
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"I don't like to be told what to say. I like to say what I want to say."
"I think that the most important thing in life is to be passionate."
"I don't think America is the greatest country in the world anymore."
"I'm a fairly solitary person. I like to be alone a lot."
"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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