Quentin Tarantino — "I'm a filmmaker. I don't care about the real world."
I'm a filmmaker. I don't care about the real world.
I'm a filmmaker. I don't care about the real world.
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"I think violence is a legitimate cinematic tool."
"I don't believe in good taste. I believe in my taste."
"Bruce had nothing but disrespect for American stuntmen and was always hitting them. ... I can understand his daughter having a problem with it, everyone else could 'go suck a d***.'"
"My philosophy forever has been it doesn't matter what you're like as long as you're interesting. Interest is everything."
"I'm a cheerleader towards violence in cinema. you know I have no problem is saying that I like violent movies. and I respond to violent movies. and I actually think violence is one of the things. that…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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