Stanley Kubrick — "I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if…"
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
I don't believe in God, but I'm not an atheist. I'm an agnostic. I don't know if there's a God or not, and I don't think anyone else does either.
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"I don't think there's any such thing as a perfect film. It's an impossibility."
"I think the best plots are the ones that are not too obvious, that are sort of hidden in the subtext, so that you have to think about them a bit."
"Man is a part of nature, and his war against nature is a war against himself."
"The whole idea of being a great artist is to be able to express something that no one else has expressed before."
"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference, then our existence as a species can be meaningful."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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