Stanley Kubrick — "I don't think there's any such thing as a perfect film. It's an impossibility."
I don't think there's any such thing as a perfect film. It's an impossibility.
I don't think there's any such thing as a perfect film. It's an impossibility.
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"To be honest, the end of the book [The Shining] seemed a bit hackneyed to me and not very interesting."
"I like to think of myself as a storyteller. That's what I am, essentially."
"I've always been interested in the dark side of things. I think it's because it's where the real drama is."
"I'm not interested in making films for critics. I'm interested in making films for audiences, and if they like them, that's all that matters."
"I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest c…"
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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