Quentin Tarantino — "I don't make political films. I make films that have politics in them."
I don't make political films. I make films that have politics in them.
I don't make political films. I make films that have politics in them.
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"If you're gonna make a movie, you gotta have a car chase."
"I'm not interested in making movies for children."
"I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."
"I don't like to be subtle with my intentions. I like to be clear."
"If you have the passion to do it, and you do it and it doesn't work out—I worked for 3 years on a 16mm movie that became nothing but guitar picks. And I was very disappointed when I realized it wasn't…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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