Edvard Munch — "I have created my art as a necessity, as an expression of my innermost being."
I have created my art as a necessity, as an expression of my innermost being.
I have created my art as a necessity, as an expression of my innermost being.
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"I do not paint what I see, but what I saw."
"The trees are like spectres, the sky is like a bleeding wound."
"The lines and colors of a picture are like words in a poem."
"A person himself believes that all the other portraits are good likenesses except the one of himself."
"The only way to understand art is to feel it."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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