Edvard Munch — "I have no fear of photography as long as it cannot be used in heaven and in hell…"
I have no fear of photography as long as it cannot be used in heaven and in hell.
I have no fear of photography as long as it cannot be used in heaven and in hell.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell."
"Art comes from the inside. When a person is very sad, he can paint a beautiful picture."
"The colors scream."
"Man is a part of nature, and his feelings are part of nature."
"Certainly a chair can be just as interesting as a human being. But first the chair must be perceived by a human being… You should not paint the chair, but only what someone has felt about it."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Your cart is empty