Marlon Brando — "I don't believe in the star system. I believe in ensembles."
I don't believe in the star system. I believe in ensembles.
I don't believe in the star system. I believe in ensembles.
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"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul."
"The only thing an actor owes his public is not to bore them."
"I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
"The greatest enemy of creativity is good taste."
"I always felt that the only way to make a movie truly great was to make it a little bit strange."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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