Quentin Tarantino — "I'm a big fan of movies that are unique."
I'm a big fan of movies that are unique.
I'm a big fan of movies that are unique.
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"I don't like to be subtle with my intentions. I like to be clear."
"I'm a big fan of movies that are unapologetically violent."
"I didn't start a family until late in life. I've been -- I've always kind of equated -- if you're doing movies on, you know, on the level that I've been doing, actually at the level I've been allowed …"
"My movies are very personal. I'm working in a genre, no doubt about it... but to me all the movies are very personal."
"I don't believe at all in test screenings or sneak previews where you hand out questionnaires to the viewers to get their reactions."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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