It's none of your damn business what I think about that. ... Don't ask me a question like that, I'm not going to I'm not biting i refuse your question. i'm not a monkey.
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"Violence is a form of cinematic entertainment."
"I don't make political films. I make films that have politics in them."
"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
"I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema."
"I'm a big fan of movie posters. I think they're a work of art."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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