Edvard Munch — "My art is my life, and my life is my art."
My art is my life, and my life is my art.
My art is my life, and my life is my art.
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"I am a child of the night, a child of sorrow and longing."
"I burned with wine and memory of the dark eyes—I was intense and talked to Fru L of love and pleasure."
"I build a kind of wall between myself and the model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me."
"I am not interested in painting pretty pictures."
"My art is an expression of my longing for love."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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