Edvard Munch — "I painted the picture, and in the colors the rhythm of the music quivers."
I painted the picture, and in the colors the rhythm of the music quivers.
I painted the picture, and in the colors the rhythm of the music quivers.
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"I wanted to show that behind the outer facade of human beings, there is a whole world of emotions and thoughts."
"The camera cannot compete with the brush and palette, it is far too clumsy."
"No longer shall I paint interiors with men reading and women knitting. I will paint living people who breathe and feel and suffer and love."
"I hear the scream of nature."
"The most beautiful things are often the most fragile."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Describing the synesthetic experience of painting, where colors evoke musical rhythms.
Date: Late 19th - Early 20th Century
Art & CreativityFound in 1 providers: gemini
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