Marlon Brando — "The greatest enemy of creativity is good taste."
The greatest enemy of creativity is good taste.
The greatest enemy of creativity is good taste.
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"I don't think acting is a very noble profession. It's just a way to make a living."
"I don't think I'm a sex symbol. I think I'm a human being."
"Privacy is not something that I'm willing to give up for the sake of celebrity."
"If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease."
"Food has always been my friend. When I wanted to feel better or had a crisis in my life, I opened the icebox."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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