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"I wouldn't say that Lee is the greatest actor in the world, but I do think that the greatest actor in the world couldn't have played the role better than Lee did."
"The truth is often a terrible weapon."
"If you really want to understand a film, you have to watch it at least three times. The first time, you watch the story. The second time, you watch the characters. The third time, you watch the subtex…"
"If you can talk brilliantly about a problem, it can create the consoling illusion that it has been mastered."
"I don't think there's any such thing as a perfect film. It's an impossibility."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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