Quentin Tarantino — "I don't like to be limited. I like to be free."
I don't like to be limited. I like to be free.
I don't like to be limited. I like to be free.
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"If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he'…"
"I'm a big fan of writing dialogue. It's my favorite part of filmmaking."
"I don't want to make movies that are safe. I want to make movies that are dangerous."
"My movies are very personal. I'm working in a genre, no doubt about it... but to me all the movies are very personal."
"Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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